Keith thought the Beatles used a secret language to
talk behind his back and chose this song to go after
them - John Entwistle, Who bassist.
Keith Moon was the phenomenally talented drummer for the Who. Here
are some interesting 'coincidences' and questions regarding his death-ed.
Was Moon a victim of Mind Control as we see so blatantly with many of today's
'Stars'? Were his 'superhuman' powers on the drums part of his 'programming'? The
Beatles were agents of Culture Creation and admitted they used secret messages
in their songs. The Beatles songs and album covers show extensive use of
Death/Resurrection symbolism (Paul is "Dead") .
Was Moon consciously aware of some kind of coding?
'Stars'? Were his 'superhuman' powers on the drums part of his 'programming'? The
Beatles were agents of Culture Creation and admitted they used secret messages
in their songs. The Beatles songs and album covers show extensive use of
Death/Resurrection symbolism (Paul is "Dead") .
Was Moon consciously aware of some kind of coding?
I Need You by Keith Moon Recorded at Pye Studios, Oct. 4, 1966.
Harpsichord: John Entwistle
This was Keith's first ever composition for The Who, and one of very few he
contributed to their catalog. The reason why all four members of the group
contributed songs to this album was that co-manager Chris Stamp had negotiated a
deal whereby the song publishers, Essex Music, would advance £500 to each
member, a considerable sum in 1966. Roger bought a Volvo 'Saint' car.
Prior to the album's release Keith told Keith Altham the title of this song was "I
Need You (Like I Need A Hole In The Head)".
He also denied that one of the voices here was a parody
of John Lennon but John Entwistle later claimed it was.
of John Lennon but John Entwistle later claimed it was.
John said :
Keith thought the Beatles used a secret language to
talk behind his back and chose this song to go after
them.
“I Need You” is one of a small handful of songs credited to
Moon as songwriter, and it’s a great one! “I Need You” is one
of the highlights of the band’s second album. Here’s another
surprise — Moon not only drums up a racket, but also sings
lead on the track. According to the the liner notes from the
CD re-issue, the song was written about an evening at the Ad
Lib club in Soho, where the Beatles were holding court. Was
Moon seeking the Fabs approval, or dismissing it? “Let us
come and sitar with you,” he sings, not to mention the
muttering of “Reorge and Gingo will come down later, with the
wives you know.” All in all, not a bad showing for Moon’s first
real outing as a writer." - UltimateClassicRock.com
Keith Moon attended a party for the Buddy Holly Story on Sept 7th 1978 (the
anniversary of his early death) as Paul McCartney's personal guest and sat at the
head table with Mr. Macca. Moon died (we are told) from waking up in the middle
of the night and gulping 32 Hemerevrin Tablets (used for weaning off alcohol) all
at once. Oh, really???
Moon's last night.Just four years earlier, Mama Cass had died in the same
bedroom at 9 Curzon Place. Mama Cass had performed 2 ACCLAIMED sold out
shows at the London Palladium and died of "heart failure". Right.
Number 9 is the number of the ego trapped in base consciousness. Remember the
Beatles' Revolution 9?
Number 9 is the number of the ego trapped in base consciousness. Remember the
Beatles' Revolution 9?
As readers of this blog know, Mama Cass was part of the MilitaryCIA Drug/Rock
Death Culture out of Laurel Canyon and was a close personal friend of Charles
Manson. The Manson Hoax involved Manson receiving "secret messages" from the
Beatles - "Helter Skelter" (see post "Charles Manson says he is Naval Intelligence")
The flat was owned by Harry Nilsson, a close friend of John Lennon. The flat was
decorated by a company Ringo Starr owned and Keith was Godfather to Ringo's son
Zak, who went on to replace Keith in the Who. Keith gave Zak his first drum kit.
Harry Nilsson starred in horror film Ghost of Dracula along with Keith Moon and
another ill- fated drummer, John Bonham of Led Zeppelin. Ringo Starr was the
film's Producer.
Original Who manger Peter Meaden died weeks before Moon on July 29, 1978.
"I Need You"Inside The LC: The Strange but Mostly True Story of Laurel Canyon and the Birth of the Hippie Generation, Part IIIDave McGowanhttp://www.davesweb.cnchost.com/nwsltr95.html
... “Mama” Cass Elliot, the “Earth Mother” of Laurel Canyon whose circle of friends included musicians, Mansonites, young Hollywood stars, the wealthy son of a State Department official, singer/songwriters, assorted drug dealers, and some particularly unsavory characters the LAPD once described as “some kind of hit squad,” died in the London home of Harry Nilsson on July 29, 1974 (Nilsson had been a frequent drinking buddy of John Lennon in Laurel Canyon and on the Sunset Strip). At thirty-two, Cass had lived a long and productive life, by Laurel Canyon standards. Four years later, in the very same room of the very same London flat, still owned by Harry Nilsson, Keith Moon of The Who also died at thirty-two (on September 7, 1978). Though initial press reports held that Cass had choked to death on a ham sandwich, the official cause of death was listed as heart failure. Her actual cause of death could likely be filed under “knowing where too many of the bodies were buried.” Moon reportedly died from a massive overdose of a drug used to treat alcohol withdrawal. Like Cass, Moon had at one time been a resident of Laurel Canyon...
Knowing
Is what people tell you
That you're thinking wrong
Embrace you,
But they really mean "So long"
You talk to them
They laugh aloud
Yet they run to you
In any crowd
Please talk to me again
I need you
We're dancing
We will come and dance near you
We want to learn
Let us come and sitar with you
Distort my ears when
The music's loud
Yet you raise your hatchet
In the yellow crowd
Please talk to me again
I need you
Knowing
Is what people tell you
That you're thinking wrong
Embrace you,
But they really mean "So long"
You talk to them
They laugh aloud
Yet they run to you
In any crowd
Please talk to me again
I need you
Is what people tell you
That you're thinking wrong
Embrace you,
But they really mean "So long"
You talk to them
They laugh aloud
Yet they run to you
In any crowd
Please talk to me again
I need you
We're dancing
We will come and dance near you
We want to learn
Let us come and sitar with you
Distort my ears when
The music's loud
Yet you raise your hatchet
In the yellow crowd
Please talk to me again
I need you
Knowing
Is what people tell you
That you're thinking wrong
Embrace you,
But they really mean "So long"
You talk to them
They laugh aloud
Yet they run to you
In any crowd
Please talk to me again
I need you